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When I told my twenty-something son that his mother and I would be road to Southern California to investigating a narrative on mid-century modern-day architecture, he snickered, "How can they phone call that modern? It's so antique."

"How other would you label additive homes of glass, seed and steel?" I asked. "Whatever," he replied, dismissing the theme. And so, I drove southwestern examination whether the sleep homes of my youth, promoted later as the houses of tomorrow, were yesterday's romance.

On coming on in Palm Springs, we checked into the Movie Colony Hotel, conceived by bailiwick originator Albert Frey in 1935. We, in our 50s, were the oldest guests there. Sweet revenge! Our son's people had disclosed what he hadn't and we shortly would, that mid-century current architecture is as hot today as when it was introduced, with a new generation of retro-focused X-gens clasp its spartan good looks. Modern? You bet it is, and Palm Springs and Los Angeles are where the top examples can be saved.

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To the uninitiated, existing building seems to be one concept, but in reality it is layered next to various styles: prairie, art deco, international, art moderne, edge vernacular, mid-century, googie, neo builder, prevailing builder, shed, and up to date folk. All of these styles can be seen in California.

In any separate subdivision of the world, genre edifice is the odd release or is laid-off as human being simply anachronistic, but in Southern California - specially in Palm Springs and Los Angeles - its examples are maintained, restored, pickled and their importance elevated to taste position class. Support for modernism, there, is proved in multitudinous way.

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